ABOUT

Ana Mikadze (b*2002), Georgian designer, artist and art researcher of Armenian descent (Kars). With a background in industrial design, their work mainly addresses the material and infrastructural legacies of imperialism in the Caucasus, tracing them to the contemporary conditions of extractivism and labor. Ana’s work moves across installations, investigations, text and material inquiry.

PROJECTS 

KATAULA 2025    
Material research, Installation

WE WISH YOU A SAFE RIDE
2024    

Artistic Intervention

TRIPLE SPINE RELIEF DESIGN CARE BODY
2023
Installation, Research

ENERGY AS A TOOL OF HYBRID WARFARE 2022
Installation, Research, API

LIMINAL OSSETIA 2021
Research

THE ENERGY ATLAS 2022
Research Publication
WRITING

Ziggurat is a form of corrupt architecture in Tbilisi, 2023

Othering by design: Auto-ethnographic design practices in times of capitalist doom, Essay, 2024

Invisible Threads: Women, Carceral labor and Imperial Sericulture in the Caucasus, Work in progress, 2025


VISUAL 

EPHEMERA 2022
Sculpture

GLAZE PAINTING 2025
Tiles

VARIOUS WORKS 2022 - 2025







My grandmother used to tell me that in the previous century, German (through her words) ‘technologists’ came to the village. 


They asked for consent to mine kaolin from a hill, which the Kavtiskhevi locals call Kataula.






According to the German technologists, the material extracted from the mountain would make valuable porcelain.
SATELLITE IMAGE, KATAULA
My grandmother resisted and sent them away. Years have passed by, and a thin layer of white dust swathes the village, a cement grime from the nearby cement factory. 


The residents claim that the cancer rates have significantly risen since.






TRIPLE SPINE RELIEF DESIGN CARE BODY, 2023 

‘‘Two Georgian content moderators can be heard having a conversation in which neglected basic working conditions at their workplace take central stage. They work at a secondary outsourcing company, where NDAs prohibit them from dis-closing any information about their work and conveniently make any form of protesting or unionizing impossible.’’



THE ENERGY ATLAS, STUDIO OFFSHORE / STUDIO TECHNOGEOGRAPHIES 

Research publication on energy infrastuctures. Exhibited at Solar Labs, Sun Without Shadow Symposium, The Energy Show at Het Nieuwe Instituut  




Energy as a tool of hybrid warfare


Figure 1:

Figure 2:





Installation view, Cube in Context, 2022
Project highlights the colonial legacies of technocratic experimentation in South Caucasus. The immersive time-based installation unites an API software and a research publication.

Located in south Caucasus and only populated with 3,8 million, Georgia became the second largest cryptocurrency mining country in a short time span. Grey areas in laws and cheap electricity have attracted more foreign investors to take ownership of the energy generated by Georgian hydropower plants. Consequently, Georgia has been buying most of its electricity from long-time invader Russia.





While cryptocurrencies like bitcoin have been falsely advertised to financially help ‘forgotten’ nations (as stated in report “Bitcoin for Governments”) , it has only tricked people into committing to short-term small scale oligarchy and giving away their resources and land to the neo-colonial expansion.






what might become of a body of water
2024

A visual and auditory exposition on the haunting parallels between three discrete yet interconnected localities along the Danube river.  
Figure 1:



Figure 2:







Figure 1:


Figure 2:


Ephemera
2022

Collaboration with Marie Judith Le Gars


Temple of The Sun, 2023 00:07:03:00, Video Still, Censored at CAS Batumi