Ana Mikadze (b*2002), Georgian designer, artist and art researcher of Armenian descent (Kars). Their work mainly addresses the material and infrastructural legacies of imperialism and colonialism in the Caucasus, tracing them to the contemporary conditions of extractivism, labor, and the processes of borderization. With a background in industrial design, their practice emerges from their profound interest in the entanglements of design, history, and geopolitics. Ana’s work moves across installations, investigations, text and material inquiry.


Work


Kataula (Material research, Installation), 2025

Invisible Threads: Women, Carceral labor and Imperial Sericulture in Caucasus (Research, Work in progess), 2025

We wish you a safe ride (Artistic Intervention), 2024

Energy as a tool of hybrid warfare (Installation, Research, API), 2022

Temple of the Sun (Video), 2022

Liminal Ossetia (Research), 2021

What might become of a body of water (Installation), 2024

Triple spine relief design care body (Installation), 2023

The Energy Atlas (Publication), 2022

Ephemera (Sculpture), 2022







Ana Mikadze (b*2002), Georgian designer, artist and art researcher of Armenian descent (Kars). Their work mainly addresses the material and infrastructural legacies of imperialism and colonialism in the Caucasus, tracing them to the contemporary conditions of extractivism, labor, and the processes of borderization. With a background in industrial design, their practice emerges from their profound interest in the entanglements of design, history, and geopolitics. Ana’s work moves across installations, investigations, text and material inquiry.






© Ana Mikadze 2025
open to collaborations
Ephemera 
2022 

dimensions variable
stoneware, beeswax, glaze

Collaboration with Marie Judith Le Gars

Ephemera series come from an experimentation on temporality. The fascination for the dripping wax lead to the creation of perfectly unbalanced candles with different burning rhythms. The stoneware candelabras are inspired by Caucasian drinking horns and  tableware. 

The candles become short-lived objects, vulnerable sculptures. Their possible fall along with the dripping wax, enhances contemplation and unexpected outcome.

 site under construction