they/ no pronouns

Full portfolio upon request
Ana Mikadze (b*2002), Georgian designer, artist and art researcher of Armenian descent (Kars). Their work mainly addresses the material and infrastructural legacies of imperialism and colonialism in the Caucasus, tracing them to the contemporary conditions of extractivism, labor, and the processes of borderization. With a background in industrial design, their practice emerges from their profound interest in the entanglements of design, history, and geopolitics. Ana’s work moves across installations, investigations, text and material inquiry.
Ana Mikadze (b*2002), Georgian designer, artist and art researcher of Armenian descent (Kars). Their work mainly addresses the material and infrastructural legacies of imperialism and colonialism in the Caucasus, tracing them to the contemporary conditions of extractivism, labor, and the processes of borderization. With a background in industrial design, their practice emerges from their profound interest in the entanglements of design, history, and geopolitics. Ana’s work moves across installations, investigations, text and material inquiry.


Work

Kataula

We wish you a safe ride

Energy as a tool of hybrid
warfare

Temple of the Sun

Liminal Ossetia

What might become of a body of water

Design Tourism

Triple spine relief design care body

Queer Types

The Energy Atlas

Xaraxura Press



Sculpture / Material research

Ephemera series
Quarry glaze research
Textiles




© Ana Mikadze 2025
open to collaborations


*This page is under construction
for inquiries please reach out to info.anamikadze@gmail.com
                                            Nari 

2024

SOLD
variable dimensions
earthenware, glaze

„Feral Feast“,  a culinary experience at Vienna Design Week by Gaja Pegan Nahtigal, Liza Sočan and Hanna Gassner.





Acid Rain 
2022





20 x 30 x 5
stoneware, glaze



         

























Ephemera Series



2022

SOLD
variable dimensions
stoneware, glaze, beeswax

Collaboration with Marie Judith Le Gars

Ephemera series come from an experimentation on temporality. The fascination for the dripping wax lead to the creation of perfectly unbalanced candles with different burning rhythms.

The candles become short-lived objects, vulnerable sculptures. Their possible fall along with the dripping wax, enhances contemplation and unexpected outcome.