ABOUT

Ana Mikadze (b.2002) is a Georgian artist and researcher of Armenian descent (Kars). From their background in industrial design, their work addresses the material and infrastructural legacies of imperialism in the Caucasus and traces them to the contemporary conditions of extractivism and labour. Ana’s work encompasses installations, investigations, texts, and material inquiries.

PROJECTS 

INVISIBLE THREADS 2026
Research, Installation,
Lecture-performance 

KATAULA 2025    
Material research, Installation

WE WISH YOU A SAFE RIDE
2024    

Artistic Intervention

TRIPLE SPINE RELIEF DESIGN CARE BODY
2023
Installation, Research

ENERGY AS A TOOL OF HYBRID WARFARE 2022
Installation, Research, API

LIMINAL OSSETIA 2021
Research

THE ENERGY ATLAS 2022
Research Publication
VISUAL 

EPHEMERA 2022
Sculpture

GLAZE PAINTING 2025
Tiles

VARIOUS WORKS 2022 - 2025
Ceramic

I’VE HEARD OF HEAVEN AND WANT NOTHING OF IT 2026

Work in progress 

ACCUMULATION(S) 2025
Exhibition 


https://errantjournal.org/en/articles/invisible-threads

I bless you before the
eyes of my own, my
domestic, my foreign,
yours, yours, yours,
ashes in
my eyes,
I have pierced my heart
with a million needles,
three handfuls of needles, three
handfuls of tweezers,
up and down, side to side,
have been entangled in my heart.


This incantation, recorded in nineteenth-century Kakheti, was recited by women over silkworms to protect them from the influence of the evil eye, from jealous gazes that might harm the delicate creatures upon which entire households depended. In its rhythm, we hear an ancient understanding: that to care for silk is to navigate invisible threats, to recognize that what is precious is also precarious, that survival requires protection against forces that would consume to exploit. To raise silkworms successfully required not just technical skill but spiritual preparation, state of mind, and its maintenance. Silk was important not just for its sheen, but because it linked bodies, climates, economies, and cosmologies. It required care and a deep understanding of life cycles—an interdependence between human and insect, a craft of slowness and patience.